Actors sometimes go to great lengths to make sure their depictions of real-life people are accurate. Most famously, Robert De Niro got both very fit for 1980’s Raging Bull and then put on weight to represent dual periods in the life of boxer Jake LaMotta.

Other times, actors only have to do some research into their family history. That’s because several have portrayed one of their actual relatives onscreen. Take a look at some of the most notable examples.

1. The Rock

Before professional wrestler Dwayne Johnson became a major box office attraction, he popped up on Fox’s popular sitcom That ‘70s Show in 1999 playing his father, Rocky Johnson, a fan favorite wrestler in the 1970s. In the first-season episode “That Wrestling Show,” family patriarch Red Forman (Kurtwood Smith) takes his son Eric (Topher Grace) to a local bout. If you don’t count wrestling, it was Johnson’s first scripted acting role.

2. O’Shea Jackson Jr.

O’Shea Jackson Jr., the son of rapper Ice Cube (real name: O’Shea Jackson), seemed to have a leg up in scoring the role of his father in 2015’s N.W.A. biopic Straight Outta Compton. But it apparently wasn’t a foregone conclusion. Jackson Jr. spent two years going through an audition process before director F. Gary Gray cast him in the part. “I’ve been studying my role for over 20 years,” Jackson Jr. told Entertainment Weekly in 2015. “I had his mannerisms and things like that down. It was really to get a bunch of the ’80s lingo. And really where his head was at. We would talk every day. He would ask me, ‘What scene are you doing today?’ I’d explain it to him, then he’ll sit back, reminisce, and be like, ‘Oh yeah. That day, I was really trying to figure out what was going on with Eazy[-E], because I had just asked him about the contracts.’”

3. Ruth Wilson

Ruth Wilson (The Affair, Luther) tackled a difficult part of her family history for 2019’s miniseries Mrs. Wilson. She played her grandmother, Alison Wilson, whose husband Alec—Ruth’s grandfather—was a serial polygamist, carrying on multiple marriages. The film was based on Alison’s memoirs; Wilson has said that as the story grew within her family, it became important to take care of it. “Then me playing it, well … it felt like that was just the most obvious way to go, that I’d end up doing it through my grandmother’s eyes,” Wilson told Entertainment Weekly. “I felt the only way I could protect her was by playing her in some way.”

4. Shia LaBeouf

Shia LaBeouf had a heavy hand in 2019’s Honey Boy. In addition to writing the screenplay, he portrayed a loosely fictionalized version of his father, Jeffrey, who LaBeouf has said he had an acrimonious relationship with as a child actor. In the film, LaBeouf plays James Lort, whose son Otis rises to stardom before struggling with substance issues later on. Noah Jupe and Lucas Hedges played Otis at different points in his life. LaBeouf said his father has seen the film, directed by Alma Har’el, and that it provided him with a new perspective on their relationship.

5. Melissa Rivers

Melissa Rivers, daughter of legendary comedian Joan Rivers, agreed to portray her late mother for Joy, a 2015 biopic about Miracle Mop inventor Joy Mangano that stars Jennifer Lawrence. (Mangano and Rivers crossed paths on the set of home-shopping channel QVC, where Rivers was a frequent presence.) “I worked with a dialect coach,” Rivers told The Hollywood Reporter. “I didn’t want to sound like her, but I knew I had to get the inflections right. Her speech pattern was so unique that I felt like it really needed to be in the spirit of her rather than trying to mimic … [director David O. Russell] gave me so much confidence there on set that what potentially could’ve been a scary, sad, frightening experience turned into such an amazingly positive experience for me.”

6. Geraldine Chaplin

Geraldine Chaplin, the daughter of silent film star Charlie Chaplin, played her own grandmother, Hannah Chaplin, in the 1993 biopic Chaplin starring Robert Downey Jr. Meeting Downey in costume, she said, gave her the strange sensation she was encountering a younger version of her father. “He gave me this big hug,” Chaplin told The Deseret News. “And he’s this gorgeous looking young kid. I thought, how Freudian. Here I am in my father’s arms. It was every girl’s dream. Daddy as a young boy. Robert was shaking. I was shaking.”

7. Mario Van Peebles

To tell the story of his pioneering father’s Blaxploitation classic, 1971’s Sweet Sweetback’s Baadasssss Song, Mario Van Peebles climbed into his dad’s shoes. In 2004’s Baadasssss!, Van Peebles plays Melvin Van Peebles, who encounters difficulties as an independent Black filmmaker. (The 1971 film originally received an X rating for its violence.) Mario, who also produced, co-wrote, and directed the film, didn’t shy away from his father’s uncompromising approach—and both men treated the project like the pros they are. When the younger Van Peebles needed clips from Sweet Sweetback’s Baadasssss Song, Melvin charged him $2000.

8. Benedict Cumberbatch

Benedict Cumberbatch (Sherlock, Doctor Strange) took on the role of a distant relative when he played King Richard III in the 2016 BBC series The Hollow Crown. Cumberbatch is Richard III’s second cousin 16 times removed. In 2015, he attended Richard’s reinternment. (Richard’s bones had been found in a Leicester car park in 2012.) Curiously, Cumberbatch wasn’t aware of the connection when he took the part.

“It was an extraordinary bit of serendipity, as I was literally dressed as Shakespeare’s version of Richard III when I received an email from Leicester University saying that I was a not-altogether-ridiculously-distant descendant of Richard,” he told The Radio Times in 2016. “I was asked to read the poem written for the occasion by Carol Ann Duffy at the reinternment in Leicester Cathedral. To have been present when Richard III found his resting place was moving; I was at the burial of a king.”

9. Sophia Loren

In terms of onscreen familial commitment, few can equal Sophia Loren. The iconic Italian star played herself in the 1980 made-for-television biopic Sophia: My Own Story. Not content there, she also tackled the role of her mother, Romilda Villani, in the same film. Loren later said her mother, who died in 1991, refused to see it. Loren even stepped into the role a second time, portraying Villani for a 2010 Italian miniseries about her life titled La Mia Casa E Piena di Specchi (My House Is Full of Mirrors).

10. Rubén Amaro Jr.

Strictly speaking, Rubén Amaro Jr. was a pro baseball player. But when he stepped into the acting field, he adopted the identity of his late father, Rubén Amaro Sr., on the ABC sitcom The Goldbergs. Senior was a star for the Philadelphia Phillies, the home team of the fictional family on the Philadelphia-set series.

11. Tom Hanks

Call it serendipity or just a publicity gimmick—either way, it’s still nice to hear. Days before the 2019 opening of A Beautiful Day in the Neighborhood, Tom Hanks found out he’s distantly related to beloved children’s show host Fred Rogers, the subject of the biopic. The two share a great-great-great-great-great-grandfather, making them sixth cousins.

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The Extreme Measures Authorities Took to Keep Kids From Seeing ‘The Exorcist’

The ratings board said children could see it with a parent, but the police in Washington had other ideas.

ByMatt Hoffman|Oct 21, 2026, 1:00 PM EDT

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Back in October 1973, the Motion Picture Association of America gave The Exorcist an R rating, which meant anyone under 17 could get in as long as a parent or guardian came along. When the movie opened in Washington, D.C., the day after Christmas, parents took that literally: Roy Meacham, the arts critic for the local Metromedia TV station, later wrote in The New York Times that parents brought children as young as 6 and 8, that one woman herded 10 kids into a showing, and that he watched a boy slip $3 to an adult in line to buy him a ticket. Within hours of the opening, Meacham’s co-workers “watched as a girl was removed from a showing at the Cinema theater and placed in an ambulance.”

A First for Washington

On New Year’s Eve, MPAA president Jack Valenti phoned the ratings board, and the board kept the R, reasoning that the movie had no nudity and no overt sexuality. Only the studio could ask for a stricter rating, and its chief, Ted Ashley, declined to request an X, a rating that would have kept the film out of many theaters and, in some cities, out of the newspaper ads.

So Washington acted on its own. “Early in the morning on New Year’s Day, Washington became the first city ever to bar children from a film the review board said they could see,” Meacham wrote. After consulting the US Attorney’s Office, officers from the police department’s morals division warned the management of the Cinema Theater that arrests would be made if any more tickets were sold for use by minors. A sign went up at the box office: “No one under the age of 17 will be admitted,” parent or not.

The police didn’t move on the movie’s violence or its scares: they used a provision of the District’s code that barred minors from seeing scenes of certain sexual conduct, “even when the actors are fully clothed,” and the scene in question was the two-minute crucifix sequence. Meacham admitted he had personally urged the police to see the movie, and that sex wasn’t what bothered him: “The film’s violence was.”

Mississippi Went After Everyone

Other places didn’t stop at children. In April 1974, several police officers and a justice of the peace went with the district attorney to the Saenger Theatre in Hattiesburg, Mississippi, to watch The Exorcist. Afterward, the print was seized, and the theater’s manager and projectionist were arrested. Their charges were dropped, but the company that owned the theater was convicted under a state law against “obscene, indecent, or immoral” pictures. The Mississippi Supreme Court threw out the conviction in January 1976, ruling the law too broad, over a dissent from a justice who wrote, “I have neither read ‘The Exorcist’ nor seen the movie,” before concluding, from the briefs alone, that it was obscene anyway. In Boston, where 5,000 people a day lined up at the Sack 57 Cinema, according to TIME, an attempt to ban the movie reportedly ended when a judge dismissed the case.

Britain’s Long Wait

The British Board of Film Classification passed The Exorcist uncut in 1974 with an X certificate, which already kept out everyone under 18. Secretary Stephen Murphy’s verdict: “It is a powerful horror movie. Some people may dislike it, but that is not a sufficient reason for refusing certification.” That didn’t satisfy everyone. The Christian campaign group the Festival of Light protested, a small number of local councils banned the film outright, and in Tunbridge Wells, 15 people fainted during its first week at the Classic Cinema, so the St John Ambulance service was put on call.

The measure aimed squarely at kids came later, on home video. The movie went out on tape in 1981, and when a 1984 law required videos to be certified, the BBFC balked. Its concern, in its own words: “the protagonist of the film was aged 12, and the film might therefore have appeal to underage viewers.” The tape was pulled at the beginning of 1988, and The Exorcist didn’t come back on video in Britain until after its 25th-anniversary re-release, when the board passed it with an 18 certificate, uncut.

Read More:

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26 Fascinating Facts About The Exorcist

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The Story of ‘The Exorcist’s Cursed Set Is Way Scarier Than the Movie

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The Terrifying Subliminal Image Hidden in The Exorcist

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